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Multiscale Anisotropic Texture Analysis and Classification of Photographic Prints: Art scholarship meets image processing algorithms

Abry, Patrice and Roux, Stéphane and Wendt, Herwig and Messier, Paul and Klein, Andrew G. and Tremblay, Nicolas and Borgnat, Pierre and Jaffard, Stéphane and Vedel, Béatrice and Coddington, Jim and Daffner, Lee Ann Multiscale Anisotropic Texture Analysis and Classification of Photographic Prints: Art scholarship meets image processing algorithms. (2015) IEEE Signal Processing Magazine, vol. 32 (n° 4). pp. 18-27. ISSN 1053-5888

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Official URL: http://dx.doi.org/10.1109/MSP.2015.2402056

Abstract

Texture characterization of photographic prints can provide scholars with valuable information regarding photographers? aesthetic intentions and working practices. Currently, texture assessment is strictly based on the visual acuity of a range of scholars associated with collecting institutions, such as museum curators and conservators. Natural interindividual discrepancies, intraindividual variability, and the large size of collections present a pressing need for computerized and automated solutions for the texture characterization and classification of photographic prints. In the this article, this challenging image processing task is addressed using an anisotropic multiscale representation of texture, the hyperbolic wavelet transform (HWT), from which robust multiscale features are constructed. Cepstral distances aimed at ensuring balanced multiscale contributions are computed between pairs of images. The resulting large-size affinity matrix is then clustered using spectral clustering, followed by a Ward linkage procedure. For proof of concept, these procedures are first applied to a reference data set of historic photographic papers that combine several levels of similarity and second to a large data set of culturally valuable photographic prints held by the Museum of Modern Art in New York. The characterization and clustering results are interpreted in collaboration with art scholars with an aim toward developing new modes of art historical research and humanities-based collaboration.

Item Type:Article
Additional Information:Thanks to IEEE editor. The definitive version is available at http://ieeexplore.ieee.org The original PDF can be found at IEEE Signal Processing Magazine (ISSN 1053-5888) website : http://ieeexplore.ieee.org/document/7123061/ Personal use of this material is permitted. Permission from IEEE must be obtained for all other uses, in any current or future media, including reprinting/republishing this material for advertising or promotional purposes, creating new collective works, for resale or redistribution to servers or lists, or reuse of any copyrighted component of this work in other works.
HAL Id:hal-01514632
Audience (journal):International peer-reviewed journal
Uncontrolled Keywords:
Institution:French research institutions > Centre National de la Recherche Scientifique - CNRS (FRANCE)
Other partners > Ecole Normale Supérieure de Lyon - ENS de Lyon (FRANCE)
Université de Toulouse > Institut National Polytechnique de Toulouse - INPT (FRANCE)
Other partners > Université Paris Est Créteil Val de Marne - UPEC (FRANCE)
Université de Toulouse > Université Toulouse III - Paul Sabatier - UPS (FRANCE)
Université de Toulouse > Université Toulouse - Jean Jaurès - UT2J (FRANCE)
Université de Toulouse > Université Toulouse 1 Capitole - UT1 (FRANCE)
Other partners > Université Claude Bernard-Lyon I - UCBL (FRANCE)
Other partners > The Museum of Modern Art - MoMA (USA)
Other partners > Université de Bretagne Sud - UBS (FRANCE)
Other partners > Western Washington University - WWU (USA)
Other partners > Yale University (USA)
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Deposited By: IRIT IRIT
Deposited On:06 Apr 2017 07:14

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